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Yenbena Lotjpa: Ancestors Speak Out | Lee Darroch

BY fortyfivedownstairs | 14-Nov-2018
Yenbena Lotjpa: Ancestors Speak Out is a contemporary installation documenting and exploring a series of the heart-wrenching letters and petitions written by the Ancestors to the Aboriginal Welfare Board, missionaries, managers of reserves, governments and the Board of Protection of Aborigines in the 1800s and early 1900s.
Venue: fortyfivedownstairs
Address: 45 Flinders Lane, Melbourne 3000
Date: 20/11/2018 - 01/12/2018
Time: Tuesday to Friday 11am-5pm, Saturday 12pm-4pm
Ticket: Free
Web: https://www.fortyfivedownstairs.com/wp2016/event/yenbena-lotjpa-ancestors-speak-out/
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EMail: info@fortyfivedownstairs.com
Call: 0396629966
Lee Darroch, 2018
The letters contain serious complaints by the Ancestors about forced separation from their children, inadequate food, inadequate housing, inadequate medical care, and punitive measures.

Extracts from the letters are painted onto wooden artefacts which were traditionally used by the Ancestors. The impact of the oversized artefacts challenge the original unequal power dynamic. The letters are an indictment on the society of that time.

It is timely to reflect on how this has reverberated through the generations and still effects black-white relations in Australia today. This is our shared history, here reflected in these letters. Everyone must be aware of the past and its ongoing effects today, in order to bring forth a new tomorrow.

For Treaty. For Sovereignty. For Recognition. For Justice.
The Ancestors have spoken out.
Hear them now.

Lee Darroch is a proud Yorta Yorta, Mutti Mutti, Boon Wurrung woman who has lived for the past 31 years on Raymond Island. She is a renowned visual artist and leader of the cultural revival of traditional cultural practices across South-Eastern Australia, in particular possum skin cloak making, sculpture, public art, feather work and coiled basketry.

Lee’s artwork celebrates Aboriginal cultural heritage in many media including public art, sculpture, land art, basketry, possum cloaks, feather work and pastel drawings. Lee teaches younger artists as well as running classes on arts and culture for school children. In recent years she has turned more to land art and sculptural installations as a means to express deep connection to the Land. This work is growing at this point in time as a way of paying homage to the Land.

Recent major public art commissions include Australian Institute of Aboriginal and Torres Strait Islander Studies (AIATSIS) possum skin cloak, NGV, Birrarung Wilam commemorative park at rear of Federation Square, Yenbena biganga, Gaiyimarr biganga, Bidja Stone at Metropolitan Fire Brigade Training Centre, Yorta Yorta Nations signage at many sites, created a film and images for Department Health & Human Services and bus shelter images for City of Monash.

Major exhibitions include Tribe, Totem & Trade solo at Koorie Heritage Trust, Bunjilaka Redevelopment at Melbourne Museum, Biganga at Melbourne Musuem, Gunya Winyarr solo at Koorie Heritage Trust. Lee has exhibited in Greece, Japan, and Italy and New Zealand. She is the co-author of three books and other publications including: Wrapped in a Possum Skin Cloak: the Tooloyn Koortakay story, Getty Institute of Conservation book: Refashioning and Redress and AIATSIS book: Urban Representations.

Her artwork is in many public collections in Australia including a large body of work at National Gallery of Australia and at National Museum of Australia. She is represented in Flinders University Art Museum, Powerhouse Museum, National Gallery of Victoria, Melbourne Museum, Aboriginal Affairs Victoria, Melbourne Grammar School, City of Manningham Australia Institute of Aboriginal and Torres Strait Islander Studies and various private collections.