Sydney Philharmonia Choirs present Haydn’s Creation - A brilliant journey from chaos to light
An uplifting masterpiece that brings to life the Old Testament’s Book of Genesis story
Venue: Sydney Opera House
Address: Bennelong Point, Sydney NSW 2000
Date: Saturday 4 July 2026
Time: 1pm
Ticket: $30-$145
Buy / Ticket: https://www.sydneyphilharmonia.com.au/events/haydns-creation/
EMail: hello@sydneyphilharmonia.com.au
Call: 02 8274 6200
Address: Bennelong Point, Sydney NSW 2000
Date: Saturday 4 July 2026
Time: 1pm
Ticket: $30-$145
Buy / Ticket: https://www.sydneyphilharmonia.com.au/events/haydns-creation/
EMail: hello@sydneyphilharmonia.com.au
Call: 02 8274 6200
Request Image Contact: kabukupr@kabukupr.com.au
Sydney Philharmonia Choirs present Haydn’s Creation at the Sydney Opera House on Saturday 4 July 2026, an uplifting masterpiece that brings to life the Old Testament’s Book of Genesis story of the origins of the world through choral and orchestral splendour.
Experience the miraculous energy and grandeur of this iconic work under the baton of renowned Australian conductor Brett Weymark, leading the 130-voice Symphony Chorus and Sydney Philharmonia Orchestra. Taking on the roles of archangels and the first humans are three outstanding stars of the Australian opera stage: soprano Celeste Lazarenko as Gabriel and Eve, tenor Andrew Goodwin as Uriel, and baritone Michael Lampard as Raphael and Adam.
Composed at the height of Haydn’s creative powers, The Creation has captivated audiences since its premiere in Vienna in 1798. From the darkness of chaos to the brilliance of light, the first sunrise to storms, creatures and human joy, Haydn paints each scene with remarkable imagination and luminous musical colour.
Sydney Philharmonia Choirs’ Artistic & Music Director, Brett Weymark OAM said: “It is something of a cliche to say that Haydn’s music displays elements of humour but every time I sit down at the piano and study this score, I am amazed at the delight and wit that is embedded in this work. It is a work that exudes optimism and sheer joy in the creation of the natural world. But beyond that is a testament to the incredible power of this composer, writing towards the end of his career, who reinvents the oratorio form for the next generation, for in this work are the seeds of Romanticism firmly sketched in the building blocks of his great loves: Mozart, Bach and Handel. I can think of no other work that makes me smile in the way that this does – so much to enjoy, so many moments to savour. Orchestras love playing it and chorus adore singing it.”
Voice, energy, joy? This music has all three in abundance, promising an unforgettable experience filled with wonder, exhilaration and sheer celestial brilliance.
Experience the miraculous energy and grandeur of this iconic work under the baton of renowned Australian conductor Brett Weymark, leading the 130-voice Symphony Chorus and Sydney Philharmonia Orchestra. Taking on the roles of archangels and the first humans are three outstanding stars of the Australian opera stage: soprano Celeste Lazarenko as Gabriel and Eve, tenor Andrew Goodwin as Uriel, and baritone Michael Lampard as Raphael and Adam.
Composed at the height of Haydn’s creative powers, The Creation has captivated audiences since its premiere in Vienna in 1798. From the darkness of chaos to the brilliance of light, the first sunrise to storms, creatures and human joy, Haydn paints each scene with remarkable imagination and luminous musical colour.
Sydney Philharmonia Choirs’ Artistic & Music Director, Brett Weymark OAM said: “It is something of a cliche to say that Haydn’s music displays elements of humour but every time I sit down at the piano and study this score, I am amazed at the delight and wit that is embedded in this work. It is a work that exudes optimism and sheer joy in the creation of the natural world. But beyond that is a testament to the incredible power of this composer, writing towards the end of his career, who reinvents the oratorio form for the next generation, for in this work are the seeds of Romanticism firmly sketched in the building blocks of his great loves: Mozart, Bach and Handel. I can think of no other work that makes me smile in the way that this does – so much to enjoy, so many moments to savour. Orchestras love playing it and chorus adore singing it.”
Voice, energy, joy? This music has all three in abundance, promising an unforgettable experience filled with wonder, exhilaration and sheer celestial brilliance.