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"Women of the Revolution" by Kathrin Longhurst

BY Catherine Asquith Gallery | 30-Jul-2013
Kathrin’s work reflects her diverse cultural background, having lived in many European countries and finally settled in Australia in 2000. Growing up in Communist East Germany Kathrin started taking life drawing classes at the age of 14 years. Her work is strongly influenced by social realism and communist propaganda art.
Venue: Catherine Asquith Gallery
Address: 48 Oxford Street, Collingwood Vic 3066
Date: 20th August to 7th September 2013
Ticket: FREE
Web: http://www.catherineasquithgallery.com
EMail: enquiries@catherineasquithgallery.com
Call: 03 9417 2828
Kathrin Longhurst
"Hero", 2013
oil on canvas
76 x 70cm

“While Longhurst’s figurative painting style is indebted to Socialist Realism, her female subjects are anything but sexless. The power of her work lies in a carefully balanced juxtaposition of opposing realities: the hint of nakedness, the supple flesh and doe-eye expressions of the women are in stark contrast to the harsh materiality of their headgear. So too is their model-like poses incongruent with the 5-pointed red star repeatedly featured, a common communist symbol used to represent the 5 ‘classes’ of socialist society. The slightly obscured Russian text in the background of many of the works, translated as provocative words such as ‘sassy’, ‘naughty’, ‘snob’ and ‘bitch’ is not only reminiscent of the format for magazine covers but also references the Russian Constructivists who used graphic text alongside abstracted forms and shapes, often imbued with politically charged meaning.

A historically, politically and socially attuned artist, Longhurst employs such visual techniques to explore broader dichotomies such as east/west, masculine/feminine and socialism/capitalism. Not only can the beautifully rendered works … be read as a profound satire of communist ideology, Longhurst also seems to be embracing two seemingly conflicting streams of feminism in her work – that where women seek the equal rights and opportunities provided to men by mimicking the qualities and professions typically associated with masculinity, and those who embrace stereotypical notions of femininity as empowering and differentiating.“ (extract, catalogue essay by Emma Crott, 2013)