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Highly anticipated Melbourne premiere of Szymanowski's King Roger
BY Opera Australia | 15-May-2017
A new, highly acclaimed production of Szymanowski's King Roger will premiere in Melbourne this autumn, offering audiences a rare opportunity to experience an extraordinary piece of work that is being performed for the first time in Australia in 2017. It is also the first time a Polish opera is being staged by Opera Australia. Szymanowski's intoxicating, iridescent music is rarely heard on the opera stage so this is a highly anticipated staging of a 20th-century Polish masterpiece.
A co-production with the Royal Opera House and Dallas Opera, it was first staged in Covent Garden
where critics described director Kasper Holten's arresting staging as a "major artistic triumph" (The
“Composer Karol Szymanowski is simply wonderful. It’s an honour to be bringing King Roger to
Australia for the first time in 2017, it’s a fantastic production and an extraordinary piece of music,” said
Opera Australia Artistic Director Lyndon Terracini.
“Szymanowski was fascinated by the melting pot of people and cultures in the Mediterranean,
particularly in Sicily. The Arabic musical influences in the score of King Roger reflect the many parallel
and integrated cultures that existed there during the early part of the 20th century.
“Under the direction of Kasper Holten, who also directed Eugene Onegin for Opera Australia, the
company is delighted to continue its association with Covent Garden. It’s a terrific relationship,” he
Italian maestro Andrea Molino returns to conduct a brilliant cast. Singing a Polish opera for the first
time in their lives, Opera Australia’s own Principal Artists Michael Honeyman and Lorina Gore play the
challenging title roles of King Roger and Roxana respectively, along with James Egglestone,
Dominica Matthews and Gennadi Dubinsky.
They will be joined by sought-after Filipino-American tenor Arthur Espirito who will play the role of the
enigmatic and persuasive Shepherd.
Adding to the spectacle are the incredible costumes and an unforgettable set under the direction of
Danish Set and Costume Designer Steffen Aarfing.
The opera traces the enlightenment of the Christian King Roger II by a young shepherd who
represents pagan principles. The shepherd’s voice is seen as lyrical and exotic, his message is
dangerously seductive. One by one the people abandon themselves to the worship of desire, pure in
its profanity while King Roger struggles with his own passions: choosing between the sacred love he
knows and the sensuous, glittering realm of hedonism preached by the shepherd.