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CHRISTIAN MARCLAY'S THE CLOCK COMES TO MELBOURNE

BY ACMI | 15-Nov-2018
Twenty-four hours long, the already-iconic installation is created from thousands of film and television images of clocks, watches, or other references to time. These are masterfully edited together so that they flow in real time, perfectly synced to the present moment, in one mesmerising collage. The result is an epic and seductive journey through cinematic history as well as a functioning timepiece. Zadie Smith calls it, “maybe the greatest film you’ve ever seen”.
Venue: Australian Centre for the Moving Image
Address: Federation Square
Date: 23rd of January to the 10th of March 2019
Time: 10am - 5pm
Ticket: FREE
Web: https://www.acmi.net.au/events/christian-marclay-clock/
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Christian Marclay’s The Clock, 2010. Single channel video, dur: 24 hours © the artist. Courtesy White Cube, London and Paula Cooper Gallery, NY

CHRISTIAN MARCLAY'S THE CLOCK COMES TO MELBOURNE@ACMI, JAN 2019

' A 24-hour miracle' - The Guardian

'...the most ingenious, original and enthralling piece of video art - actually contemporary art, period - you are likely to see. A work of painstaking genius...' Big Black Book

The Australian Centre for the Moving Image (ACMI) is proud to announce that Melbourne audiences will now have the chance to experience Christian Marclay’s The Clock – an award-winning, 24-hour cinematic tour de force, and the most popular work of video art ever – when it screens daily at ACMI from 23rd January to 10th March 2019.

Twenty-four hours long, the already-iconic installation is created from thousands of film and television images of clocks, watches, or other references to time. These are masterfully edited together so that they flow in real time, perfectly synced to the present moment, in one mesmerising collage. The result is an epic and seductive journey through cinematic history as well as a functioning timepiece.

Following several years of painstaking research and production aided by a team of assistants, Christian Marclay collated over 12,000 clips from an array of films and TV shows, from canonical thrillers, westerns, musicals and sci-fi's through to obscure art-house oddities, spanning some eighty years. The final work is an exhilarating work that flows mercurially from such famous cinematic moments like Harold Lloyd hanging off the clock face in Safety Last! (1923) through to peripheral scenes caught by Marclay, such as Helen Morse asking one of her students for the time in Picnic at Hanging Rock (1975). Minute by minute, hour by hour, hundreds of characters are jolted awake by alarms, run for trains, wait for lovers, or dream strange dreams. In this way, The Clock is a homage to cinema, gifting audiences the addictive joy of recognising favourite actors or scenes from beloved films, as well as a wildly compelling and dream-like work of its own.

The Clock debuted in 2010 at London’s White Cube Gallery, before travelling the globe, captivating audiences from New York to Moscow. It has inspired a cult devotion, with audiences returning to pass hours under its spell, again and again and again. Described by Marclay as ‘a meditation on time’, The Clock ruminates on our insatiable fascination with time, memory and mortality through screen culture. It works with and against the conventions of cinematic storytelling to release a sublime and confounding excess of drama.

Katrina Sedgwick, ACMI DIRECTOR/CEO: “We are thrilled to be exhibiting Christian Marclay's The Clock. Since we opened in 2002, ACMI has showcased some of the most celebrated contemporary artists in the world. In 2008, Replay Marclay was the first major exhibition presented in Australia celebrating Marclay’s work and was the first solo exhibition to be staged in ACMI's Gallery 1. It's fitting then to be presenting this extraordinary 24-hour moving image work as our final Gallery exhibition before we close for our Renewal project.”

This FREE exhibition will be open daily from 10am to 5pm Friday to Wednesday, and for 24 hours every Thursday from January 9 to February 26. The Clock comes to ACMI direct from the Tate Modern in London.

THE CLOCK 24 hour Screening Dates:

10am Thurs 24–10am Fri 25 Jan
10am Thurs 31 Jan– 10am Fri 1 Feb
10am Thurs 7 Feb –10am Fri 8 Feb
10am Thurs 4 Feb –10am Fri 15 Feb
10am Thurs 21 Feb –10am Fri 22 Feb
10am Thurs 28 Feb–10am Fri 1 Mar
10am Thurs 7 March –10am Fri 8 Mar

ABOUT THE ARTIST

Christian Marclay was born in California and raised in Geneva, Switzerland. Over the last 35 years he has explored the fusion of fine art and audio cultures, transforming sounds and music into a visible, physical form through performance, collage, sculpture, installation, photography and video. Since making his mark in the New York art scene in the seventies as an experimental DJ, Marclay is recognised as a pioneer in the art of using gramophone records and turntables as musical instruments to create sound collages.

www.whitecube.com/artists/artist/christian_marclay

ACMI (Australian Centre for the Moving Image) is Australia's national museum of film, TV, video games, digital culture and art – situated at the very heart of Melbourne, in Fed Square. The world’s most visited moving image or film museum, ACMI exists to celebrate, support and explore the past, present and future of the moving image through a vibrant calendar of exhibitions, screenings, installations and commissions, festivals, workshops, as well as public and education programs, in Australia and beyond.

www.acmi.net.au