Riverside Theatres Presents INCREDIBILIA, a Magical Theatre Performance for the Family

Published by: Kabuku PR | 17-Apr-2024
Magical theatre featuring 20 stories, 101 objects, music and song!
Venue: Riverside Theatres
Address: Corner of Church and Market St, Parramatta
Date: 29 May – 1 June 2024
Time: School Performances: Wed 29 May 10:15am & 12:30pm, Thursday 30 May 10:15am & 12:30pm, Friday 31 May 11am. | General Public Performances: Saturday 1 June 11:00am & 1:00pm
Ticket: Riverside Members from $24.50 | Non-members from $33
Buy / Ticket: https://riversideparramatta.com.au/whats-on/incredibilia/
Web: https://riversideparramatta.com.au/whats-on/incredibilia/
EMail: boxoffice_riverside@cityofparramatta.nsw.gov.au
Call: 02 8839 3399
Riverside Theatres Presents INCREDIBILIA, a Magical Theatre Performance for the Family
Riverside Theatres is proud to present 'Incredibilia' the new theatrical adaption of 20 children’s book, by Australian literary treasure Libby Hathorn performing on stage from 29 May to 1 June 2024.

Adapted by acclaimed theatre-maker Kim Carpenter (of Theatre of Image) with music by Peter Kennard’s extraordinary one-man band, audiences will be captivated when 101 extraordinary objects are brought to life by multi-talented performers in an immersive experience that uses music, song and puppetry.

'Incredibilia' tells the story of two intrepid best friends as they embark on an imaginative journey, crossing super-hot deserts, spooky cities, exotic gardens and take a trip over the moon, to discover the true meaning of connection.

This new Australian work celebrates the imagination through inventive storytelling, the joy of creative play with music, song and curious objects, magically brought to life by two outstanding multi-talented musical performers Manon Gunderson-Briggs (Come From Away, Muriel's Wedding The Musical) and Fabio Jaconelli (Falsettos).

This heart-warming performance is a celebration of family, friendship, the warmth and comfort of home.

"A genuine feeling of specialness and enchantment." – The Sydney Morning Herald

"Like most of Carpenter's work, it is necessary viewing." – The Australian Financial Review

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